Vol. 5 (2016): Annual Review of Interdisciplinary Justice Research

Published: 2024-05-14

Introduction

Visualizing Justice

Kevin Walby, Richard Jochelson, Michelle Bertrand, Steven Kohm

5-14
- PDF

Articles

Visualizing Cultural Criminology: See(k)ing Justice in the Films of Atom Egoyan

Steven Kohm, James Gacek

15-41
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Meth, Markets, Masculinities: Action and Identity in AMC’s Breaking Bad

Diana Young

42-71
- PDF
“When She Cracks”: The Visual (Re)Construction of “Deadly Women” in Infotainment Media

Isabel Scheuneman Scott, Jennifer M. Kilty

72-97
- PDF
“Let’s Be Bad Guys”: (Re)Visualizing (In)Justice on the Western Frontier in Joss Whedon’s Firefly/Serenity

Garrett Lecoq

98-124
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The Representation of Prison Subculture Models in Mid-20th Century Hollywood Film

Courtney A. Waid-Lindberg, Daryl J. Kosiak, Kristi Brownfield

125-151
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Visualizing Interrogative Injustice: Challenging Law Enforcement Narratives of Mr. Big Operations through Documentary Film

Amar Khoday

152-179
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Linking Visuality to Justice through International Cover Designs for Discipline and Punish

Katherine Bischoping, Selom Chapman-Nyaho, Rebecca Raby

180-214
- PDF
Rationale: Of Manicures, Make-Overs, Matryoshkas, and Transformation Visualizing My Legal Studies

Rebecca Bromwich

215-222
- PDF
Visible Justice: YouTube and the UK Supreme Court

Leslie J. Moran

223-263
- PDF
Reflections on Visual Methods from a Study of Manitoulin Island’s Penal History Museums

Kevin Walby, Justin Piché

264-290
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Visualizing Prison Life: Does Prison Architecture Influence Correctional Officer Behaviour? An Exploratory Study

Michael Weinrath,, Camella Budzinski, Tanis Melnyk

291-311
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(In) Visible Histories: Colonialism, Space and the Canadian Museum for Human Rights

Mandi Gray, Karl Gardner

312-332
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Justice as Invisibility: Law, Terror, and Dehumanization

Robert Diab

333-367
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Examining Narratives of Cultural Diversity in Mental Health Law

Ruby Dhand

368-393
- PDF
Visualizing Indigenous Perspectives of how the Saskatoon Community Youth Arts Program (SCYAP) Addresses Social Exclusion

John Charlton, John Hansen

394-421
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Vol. 5 (2016): Annual Review of Interdisciplinary Justice Research

Introduction

Visualizing Justice

Articles

Visualizing Cultural Criminology: See(k)ing Justice in the Films of Atom Egoyan

Meth, Markets, Masculinities: Action and Identity in AMC’s Breaking Bad

“When She Cracks”: The Visual (Re)Construction of “Deadly Women” in Infotainment Media

“Let’s Be Bad Guys”: (Re)Visualizing (In)Justice on the Western Frontier in Joss Whedon’s Firefly/Serenity

The Representation of Prison Subculture Models in Mid-20th Century Hollywood Film

Visualizing Interrogative Injustice: Challenging Law Enforcement Narratives of Mr. Big Operations through Documentary Film

Linking Visuality to Justice through International Cover Designs for Discipline and Punish

Rationale: Of Manicures, Make-Overs, Matryoshkas, and Transformation Visualizing My Legal Studies

Visible Justice: YouTube and the UK Supreme Court

Reflections on Visual Methods from a Study of Manitoulin Island’s Penal History Museums

Visualizing Prison Life: Does Prison Architecture Influence Correctional Officer Behaviour? An Exploratory Study

(In) Visible Histories: Colonialism, Space and the Canadian Museum for Human Rights

Justice as Invisibility: Law, Terror, and Dehumanization

Examining Narratives of Cultural Diversity in Mental Health Law

Visualizing Indigenous Perspectives of how the Saskatoon Community Youth Arts Program (SCYAP) Addresses Social Exclusion

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